Music of the Week: Beyoncé and Miley Cyrus Ship a Duet for the Ages with “II MOST WANTED”

Consequence’s Music of the Week highlights the newest and best new tracks every week. Discover these new favorites and extra on our Spotify Prime Songs playlist, and for different nice songs from rising artists, take a look at our Spotify New Sounds playlist. This week, Beyoncé and Miley Cyrus be part of forces for a collaboration for an unforgettable collaboration.

Beyoncé and Miley Cyrus have two of probably the most distinct voices in music immediately. Cyrus has embraced her rasp extra with every passing launch, and there’s merely no different vocalist like Beyoncé. The 2 are additionally each southern gals, with Queen Bey hailing from Texas, Cyrus from Tennessee. They each spent their whole grownup lives within the highlight. And whereas a collaboration with Miley may not have been what most individuals anticipated from ACT II: COWBOY CARTER — solidarity with anybody else who deluded themselves into pondering “Phone” half two was imminent — however the reality is, this duo actually works. And possibly on an preliminary pay attention, there’s one thing nearly jarring about listening to them commerce off traces, however by the ultimate refrain, it’s practically inconceivable to not be swept away by the stability of uncooked presents and technical grace.

Now that we’ve all heard COWBOY CARTER in full, it’s clear that Beyoncé was appropriate when she mentioned ACT II isn’t a rustic album, however a Beyoncé album. She’s all the time had a desire for plucking from genres as she pleases and blurring traces, and this venture isn’t any completely different. There are actually parts of nation music previous and current, however Beyoncé won’t ever be confined. “II MOST WANTED” is without doubt one of the extra easy tracks on the album, although, and the themes of the track really feel particularly rooted in a extra conventional view of the style.

“II MOST WANTED” is a bit mournful and nostalgic, acknowledging the ever-flowing passage of time and our incapacity to cease it. It’s a track centered on the need to get out of city and simply drive. There’s additionally a variety of guarantees woven into the observe; messages to a liked one, and a refusal to let go. Elsewhere on COWBOY CARTER, Beyoncé notes, “Used to say I spoke too nation/ And the rejection got here, mentioned I wasn’t nation sufficient.” I dare anybody to offer this one a pay attention and discover a approach to characterize it as not nation sufficient.

Mary Siroky
Affiliate Editor


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